If a book is about sisters—I’m there.
If a book is about brothers—I’m there, but not as quickly because I already have two brothers and I don’t have the burning desire to read more about them. (Okay, I’m kidding. . . sort of. . .)
I love character driven fiction, and I think that sibling relationships are so touching. It’s a relationship that has different dimensions than a parent, love interest, best friend, or villain. To me, being a sibling is a role that brings out interesting characteristics in characters.
There are a few special sibling relationships in YA that gave me all my—enough feels that I can actually remember that I got feels. (I’m very forgetful with books) Since I love writing siblings, too, I’ve included some tips to learn from each book, because reading is the best way to learn how to write.
LOUIS AND WILLA from The Lost and Found by Katrina Leno
Louis and Willa’s relationship was precious. After an accident, Louis was left with anxiety and Willa without a leg. They both love breakfast food (hash browns if I remember correctly? why do I forget everything) which is incredibly relatable. Together, these siblings make the best travel buddies.
Tip: Give your siblings a shared moment. It doesn’t have to be as big as losing a leg, but a shared moment that shaped their childhood can be so powerful.
ALICE AND GEORGE from The Boy Most Likely To
While this book isn’t really my favorite, I think the dynamic between Alice (a girl too cool too care) and George (her very tiny brother who cares about literally everything) is sweet, interesting, and fresh in a world of contemporary books where sometimes everything feels the same.
Alice pretends to be too tough and too cool to be hanging out with such a sensitive little George, but deep down she loves him. (I even love George, and I’m not a big fan of kids.)
Tip: Siblings don’t have to be close in age. Giving your MC a very tiny sibling can bring lots of comic relief and lots of squeals—especially if you’re writing a contemporary.
SCARLETTE AND TELLA from Caraval and Legendary by Stephanie Garber
Okay, okay, you don’t need me to sit here and tell you how awesome Tella and Scarlett are, because the whole entire world knows. I think some readers thought that Scarlett’s motivation to protect Tella wasn’t a strong enough motivation to go through Caraval, but I disagree.
Saving anyone, especially your sister, is a killer motivation that adds depth to the story.
Tip: Add some dimension to a character and a sibling relationship by throwing the sibling into the protagonist’s stakes. Unlike Bone Gap where they share the stakes, make the sibling PART of the stakes.
GEORGINA AND MARY from Summer of Salt by Katrina Leno
Raise your hand if you saw this coming. But seriously—I don’t even think I have the words to describe how much these two sisters mean to me. (Just read the book, I won’t do it any justice.) The sisters come from a line of magical women, and while Mary can float, Georgina has yet to get her powers.
This book makes me feel unqualified to be a writer, because how are words and how do I use them to describe the most magical reading experience I’ve ever had?
The events in the book change both of the sisters making the end super sad, bittersweet, and really happy all at the same time.
Tip: If siblings have a big part in your WIP, consider giving them both strong character arcs. Having both sisters change strengthens the plot of Summer of Salt, and the juxtaposition of their arcs adds so much depth to the story.
LENNY AND BAILEY from The Sky is Everywhere by Jandy Nelson
This is one of my favorite books in the universe, so is anyone surprised this is up here? The main character Lenny’s sister dies unexpectedly, leaving Lenny heartbroken and alone to grapple with her grief.
Even though I’ve never had a sister or a dead sibling, Lenny’s memories of her sister are so vivid I miss Bailey, too. It’s just beautiful and I wish there would be a prequel with Bailey in it alive (although that might make this book even sadder.)
Tip: If the sibling isn’t physically present, make sure they’re emotionally present. Bailey’s memory has a strong emotional hold on Lenny, which makes up for the fact we never get to actually spend time with Bailey. She’s just a natural part of Lenny.
FINN AND SEAN from Bone Gap by Laura Ruby
Another one of my favorite books! Finn is spacey, Sean is very down to earth, and they’re parentless. The girl who had been living with the boys disappears, and Finn is the only one who saw the girl taken by a man—except Finn can’t remember what the man looks like.
Finn is afraid that everything he does disappoints Sean, while Sean is afraid he can’t protect Finn any longer. They’re both so precious, and while the whole book is vivid, I especially love the complexities of their relationship.. (I sound like Gollum, but I really love these two boys.)
Tip: Make the stakes include the siblings. Throw them through the wringer, too. Finn and Sean both have something to lose, which make all their interactions tense.
THE SWAN SISTERS from Wicked Deep by Shea Ernshaw
The three sisters in this book are ruthless. I didn’t want to like them, but I also couldn’t hate them? To the people of Sparrow (the town the sisters haunt), the sisterhood is a character of its own, a character bigger than legend. It was a super fresh take on sisters that I appreciated.
Tip: Your sisterhood/brotherhood can be a character, too. For the people of Sparrow, the sisters are a character. When the three of them are together, their relationship becomes a character.
CHARLIE AND CANDICE from The Perks of Being a Wallflower
An oldie, but such a goodie. Beyond a good goodie. (Okay, I need to calm down. But you know that scene where they listen to music and drive through the tunnel and talk about being infinite? I live by that tunnel. I drive through it like twice a week. So this book has a special place in my heart for many reasons.)
Charlie and Candice have such a realistic sibling relationship. They obviously care for each other, but it’s just so. . . complicated. And that’s what makes it incredibly real.
Tip: Your siblings don’t have to be the two happiest sisters/brothers in the world. Siblings can be a great source of tension. Also, that’s just part of life and GROWING UP.